The photographer
Joseph
Hubbard
I'm a wildlife and nature photographer based in Bad Soden Salmünster, Germany. My work is built on time spent in the field — returning to the same places, learning the rhythms of the landscape, and waiting for the light and the moment to align.
Whether it's a single frame or a long-form documentary project, my approach is the same: observe without interference, and let the subject tell its own story.
Background
How I got here
I grew up in a family that spent a lot of time outdoors, and I've been drawn to wild places for as long as I can remember. Photography came later — a way of paying closer attention to what I was already spending time with.
I'm largely self-taught. The real education has been time in the field — thousands of hours across forests, wetlands, and uplands, learning to read landscapes and understand animal behaviour well enough to anticipate moments rather than just react to them.
I work primarily in Central Europe, with a particular focus on Germany and the surrounding region. The wildlife here — wolves, deer, raptors, the whole ecology of the forests and river systems — is endlessly interesting and still relatively underrepresented in international wildlife photography.
Philosophy
Patience over pursuit
I do not bait, call, or disturb the subjects I photograph. My work is built on presence, being in the right place at the right time, and putting in the preparation needed to make that possible.
That often means spending long hours in the field without creating a single image. It means returning to the same location twenty times before something finally happens. It also means accepting that the most meaningful moments are often the ones that cannot be planned or manufactured.
I believe that patience can be felt in the finished work. The images that matter most to me are the ones in which something genuine was unfolding. In those moments, I was there as a witness, not a director.
Equipment
What I shoot with
I photograph with Sony mirrorless cameras and a carefully selected range of lenses. For wildlife, I primarily use the Sony 200 to 600mm lens, sometimes paired with a teleconverter when additional reach is needed. Wider lenses are used for landscapes, travel photography, macro work, and environmental details.
For aerial photography, I use DJI drones and operate under the applicable European drone regulations and licensing requirements.
Every image is carefully processed to preserve the atmosphere, light, and natural detail of the original moment. My approach to editing is restrained and honest. The goal is to present what was genuinely there, rather than create a scene that never existed.
Follow the work
Stay in touch
I share work in progress, field notes, and new images on Instagram and Facebook.
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